arXiv — NLP / Computation & Language · · 4 min read

A Text-Steerable Instrument for Sketching Procedural Soundscapes via Language Models

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Computer Science > Sound

arXiv:2607.00309 (cs)
[Submitted on 1 Jul 2026]

Title:A Text-Steerable Instrument for Sketching Procedural Soundscapes via Language Models

Authors:Prabal Gupta (Rama Labs, Kitchener, Canada)
View a PDF of the paper titled A Text-Steerable Instrument for Sketching Procedural Soundscapes via Language Models, by Prabal Gupta (Rama Labs and 2 other authors
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Abstract:We present a real-time musical interface that converts natural-language scene descriptions into evolving procedural soundscapes. A performer types a prompt such as "warm jazz cafe at midnight" and steers it through direct parameter adjustments - stepping brightness down, switching a rhythm style - each producing a predictable, audible shift without re-prompting. Where GPU-bound text-to-audio systems synthesize monolithic waveforms, our instrument generates human-readable configurations over a categorical schema, enabling fine-grained performer control; most valid combinations are designed to sound musically coherent. Three interchangeable backends - embedding retrieval for sub-second CPU-only use, hosted LLMs via API, and a fine-tuned 270M local model - all emit the same schema. A live generator architecture continuously emits audio while resolving new instructions in the background, crossfading seamlessly when ready; even when an LLM takes 5-12 seconds to respond, the audience hears uninterrupted sound - reframing text-to-music as an ongoing performable stream rather than a one-shot generation. We evaluate text-audio semantic alignment using LAION-CLAP on held-out prompts as a technical proxy, finding that retrieval-based configuration outperforms random valid configurations on this metric, while noting that LAION-CLAP also informed retrieval-map construction. We report performance observations, informal listener feedback, and release materials for the SDK, dataset artifacts, model, and audiovisual performance interface.
Comments: 10 pages, 7 figures, 2 tables. Accepted to the International Conference on New Interfaces for Musical Expression (NIME 2026), London, UK. Supplementary material included as an appendix. Code and demo: this https URL
Subjects: Sound (cs.SD); Computation and Language (cs.CL); Human-Computer Interaction (cs.HC)
ACM classes: H.5.5; H.5.2; I.2.7
Cite as: arXiv:2607.00309 [cs.SD]
  (or arXiv:2607.00309v1 [cs.SD] for this version)
  https://doi.org/10.48550/arXiv.2607.00309
arXiv-issued DOI via DataCite (pending registration)
Related DOI: https://doi.org/10.5281/zenodo.20784374
DOI(s) linking to related resources

Submission history

From: Prabal Gupta [view email]
[v1] Wed, 1 Jul 2026 01:21:42 UTC (526 KB)
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